The Play That Goes Wrong

The title of the show and various credits are displayed inverted to highlight the absurdity of The Play That Goes Wrong.

Show Details

Performance Schedule

SUNDAY @ 7:30 PM

Run Dates

December 02, 2016 - Open Run

Upcoming Scheduled Events

October 25, 2017

Running Time

2:0 hrs

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Show Description

Winner of the 2015 Olivier Award for Best New Comedy, The Play That Goes Wrong is a celebration of the best of live theater… and the worst. 

Direct from a bafflingly successful run on London’s West End, this sidesplitting show-within-a-show will move you… from your house to the theater and back. 

Welcome to opening night of the Cornley Polytechnic Drama Society’s newest production, The Murder at Haversham Manor. This 1920s whodunit has everything you never wanted in a Broadway show – a ramshackle set, a leading lady with a concussion, and a corpse that can’t play dead. It’s a classic mystery… and it’s a mystery how it ever got to Broadway! 


Standard Tickets

Wheelchair seating and assistive listening devices are always available.

Phone: (212) 239-6200

Scheduled Performances

Please note if you need an ongoing Accommodation at a scheduled event, use the ticket links below.

Sign Language

Oct 25, 2017 7:00 PM

Or call 212-912-9770 to order tickets.

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Theatre Details


Lyceum Theatre
149 W 45th St
New York, NY 10036

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Public Transportation

By Subway: F, B, D to 47-50th St/Rockefeller Center

Additional Accessibility Details

Wheelchairs: Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance.

Seating: Orchestra Seating is accessible to all parts of the Orchestra without steps. No steps to the designated wheelchair seating locations. Mezzanine Located on the 2nd level, up 2 flight of stairs from the Orchestra. Please note: on the Mezzanine level there are approximately 2 steps per row. Entrance to mezzanine is behind row J. Balcony Located on the 3rd level, up 4 flights of stairs from Orchestra. There is a separate entrance from street level.

Elevator\Escalator: There is no elevator or escalator at this theatre. Handrails are available at the end of every stepped seat row in the Mezzanine and Balcony.

Entrance: No steps into the theater from the sidewalk. Please be advised that where there are steps either into or within the theater, we are unable to provide assistance.

Restroom: There is a wheelchair accessible restroom

Water Fountain: Located in the ticket lobby Accessible at 36"

Telephone: Payphone - Located in the ticket lobby. Accessible at 54" w/utility outlet.

Assisted Listening System: Please call: (212) 582-7678 to reserve in advance. Drivers license or ID with printed address required as a deposit.

Reviews (3)

And it is that relentless constancy that sets this endeavor apart from other entries in the twin, mostly clapped-out genres that it so guilelessly taps — the backstage comedy and the mystery farce with the aristocratic characters. Why? Because “The Play That Goes Wrong,” which was written by Henry Lewis, Jonathan Sayer and Henry Shields and has arrived on Broadway after West End success, goes wrong so many times, in such mellifluous ways, and with such far-gone commitment to physical comedy. The relationship between comedy and pain is much discussed. But while most people will leave “The Play That Goes Wrong” thinking they’ve just spent two hours in a world utterly removed from the cares of the American moment, which would be true, the deeper truth in play here is that they will have watched a show that really is about the theater’s long-standing relationship with blind terror

---Chicago Tribune

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---Will Ferrell

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The show must go on — but in the Broadway transfer of West End hit “The Play That Goes Wrong,” forgotten lines, lost props, technical gaffes and rebellious scenery all seem to reply, “Oh no it doesn’t.” This broad, silly and deliciously demented show, about a fictitious amateur theatrical group with great resilience and greater incompetency, is by the Brit trio of Henry Lewis, Jonathan Sayer and Henry Shields in a style that evokes “Fawlty Towers” with nods to Buster Keaton, Carol Burnett and Monty Python. Under the go-for-broke direction of Mark Bell, its high-energy cast is comic gold and manages to sustain, with a never-ending series of diversionary tactics, its one-joke concept.

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