To Kill A Mockingbird

Bold letters read Jeff Daniels Harper Lee's To Kill A Mockingbird. A new play by Aaron Sorkin. Directed by Bartlett Sher.

Show Details

Performance Schedule

TUESDAY & THURSDAY @ 7 PM
WEDNESDAY @ 1 PM & 7 PM
FRIDAY @ 8 PM
SATURDAY @ 2 PM & 8 PM
SUNDAY @ 1 PM & 6:30 PM

Run Dates

October 31, 2018 - Open Run

Upcoming Scheduled Events

February 06, 2019

Running Time

2:35 hrs

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Show Description

Harper Lee’s Pulitzer Prize-Winning American classic To Kill a Mockingbird comes to Broadway in a new adaptation by Aaron Sorkin.

Inspired by Lee’s own childhood in Alabama, To Kill a Mockingbird features one of literature’s towering symbols of integrity and righteousness in the character of Atticus Finch, based on Lee’s own father. The character of Scout, based on herself, has come to define youthful innocence – and its inevitable loss – for generation after generation of readers around the world.

Audience Advisory

There is no late seating

Tickets


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Standard Tickets


October 31, 2018 - Open Run

Wheelchair seating and assistive listening devices are always available.

For Show Times, see Performance Schedule above.


Wheelchair

Use the standard ticket button to purchase tickets.

Hearing: Assistive Listening Devices

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Theatre Details

Address

Shubert Theatre
225 W 44th St
New York, NY 10036

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Public Transportation

By Bus: Take the M7, M20, M42, or M104 bus.

By Subway: 1, 2, 3, 7, S, A , C , E , N ,R ,Q ,W to 42nd St./Times square

Additional Accessibility Details

Wheelchairs: Wheelchair seating is available. Theatre is not completely wheelchair accessible. There are no steps to the designated wheelchair seating location.

Seating: Seats 1504. Orchestra on ground level. Lower lounge, mezzanine and balcony reached only by stairs.

Elevator\Escalator: There are no elevators or escalators at this theatre.

Parking: Valet parking garages: 1st garage: South side of 44th St. between 6th & 7th Aves. Vertical clearance: 105". 2nd garage: East of Shubert Alley, on north side of 44th St. (theatre block) between Broadway & 8th Ave. No vans.

Curb Ramps: (2.5" lip) NW corner of 44th St. & Broadway; SW corner Broadway & 44th St.; (2.5" lip) SE corner 44th St. & Broadway.

Entrance: Double doors in series: 1st set (each 28.5") has one pair of automatic doors from Shubert Alley to Ticket Lobby with push-button control.2nd set (each 28", attended by ushers ) to rear Orchestra.

Box Office: Ticket Lobby. Counter 43". Accessible pass-through with writing shelf at 32". Assistance available. Outer lobby. Counter 43.5".

Restroom: Restrooms are located on the upper and lower levels.Womens and Mens: Lower lounge. Down eighteen steps with continuous handrails. Wheelchair accessible restroom off premises at Sardi's Restaurant across the Street. (Elevator available) Assistance available.

Water Fountain: Bar in the ticket lobby. A water fountain with a spout at 36" is located in the lower lounge.

Telephone: pay phone in ticket lobby. Coin slot 54". Cord 29". Volume control. With TTY and electric outlet.

Assisted Listening System: Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Please call: (212) 582-7678 to reserve in advance.

Visual Assistance: Vision seats available for purchase in person, online or over the phone

Folding Armrests: Sixteen row-end seats with folding armrests.

Reviews (3)

Aaron Sorkin has written a new play, and it’s characteristically taut and nimble, fluid and funny, with plenty to meditate on and argue about. Its goal is to speak audibly about 2018 and it succeeds. As a piece of writing, it’s both rollicking and ruminative, as a piece of theater, it’s magnificent, with a shifting, breathing, gorgeously orchestrated world, and while the top-billed Jeff Daniels is indeed lighting up the stage as the story’s iconic lawyer, every member of the ensemble shines alongside him.

CONTINUE READING THE VULTURE REVIEW

NYT Critic's Pick 

It is ... gorgeously atmospheric, from ... (the set design is by Miriam Buether) to Adam Guettel’s ... music ... . Mr. Sher has made sure that every movement, every perfectly cast face, every stage picture and costume tells the story so precisely that it would do so even without words. Ah, but the words.....

CONTINUE READING THE NEW YORK TIMES REVIEW

Aaron Sorkin’s To Kill a Mockingbird is a genuinely radical and thoroughly gripping new Broadway adaptation of this iconic novel has no truck with the heroic image of Atticus, his wide-eyed daughter Scout and the famous Finch briefcase, a stand-in for the slow march toward justice, all striding together into a new American dawn. No siree. Sorkin has written a Mockingbird that fits this riven American moment.

CONTINUE READING THE CHICAGO TRIBUNE